Brave New World Competition Entires Pt.2

I have previously posted two pieces of artwork I created for the House Of Illustration 'Brave New World' Competition. Below you can see the other two images that went with my full entry. The first is a watercolour showing Linda as she succumbs to a soma induced oblivion. The vast majority of this painting was done in Paynes Grey to maintain a blue cast to the painting. The other image is dominated by Cadmium Red to suggest the red lighting used in the Solidarity Services.

Brave New World Competition Entries

I received an email in the last few days informing me that my entries for the House Of Illustration & Folio Society Competition to illustrate 'Brave New World' by Aldous Huxley were unsuccessful. You win some, you lose some.

House Of Illustration had over 500 entries, they have picked a top 25 which can be seen on their website here. It's certainly very interesting to browse, the standard is very impressive and most of the illustrations are a mixture of traditional and digital media which is fitting for the story.

Below you can see two of my entries (two more to come). The first is a rough book binding design, created with ink spatters and pencil put together in Photoshop. The bleeding ink in the baby's head is a photograph I took using a full water jug and ink dropper. The second illustration is a watercolour painting based on John's encounter with a reporter.

More Brave New World Progress

I have finished my second illustration for Brave New World but it's probably best not to release the completed artwork until after the competition. However to appease everybody's curiosity, below is a photo of the second illustration in progress which I took last week.

The next image is my tonal study for the final interior illustration. If you have read the book you'll know what is going on here, if you don't know - read the book!

It's time to start painting...

Progress...

Here are a couple of photos just to show you what's on my drawing board at the moment.

The above image is the finished watercolour for my first entry into the Folio Society competition (see previous post)

In the last half an hour I have just prepared the paper for another Brave New World illustration. I'm experimenting with toned paper for this one, achieved with a crimson acrylic wash.

Tonal Study For Brave New World

I used to do tonal studies in charcoal but recently I've been experimenting in photoshop to get the same results, sometimes better.

First off I work up a detailed rough in pencil as normal and then scan it in. Once I have the image in Photoshop I turn up the levels and ghost the pencil layer. Ghost is a filter effect I found on flaming pear and it has been so useful over the years that I don't know how I managed without it. The Ghost filter means I can paint underneath the pencil image as if it is on a piece of tracing paper. This makes it incredibly easy to fill the image with a mid grey and then add highlights and shadows just like a charcoal drawing on toned paper and as an extra bonus the original line-work is always available on a separate layer.

 

The end result is so useful when it comes to keeping control of values on the final painting. However I can't take all the credit because I got the idea for this process after viewing this post by Dan Dos Santos.

Brave New World Roughs

The Folio Society is running a competition to illustrate 'Brave New World' by Aldous Huxley. Click here for more details.

Above you can see the roughs, drawn without reference, for the three scenes I have chosen to illustrate. Previously I had worked up a number of thumbnails before selecting which composition I would like to take forward. Now I have to take photo reference based on these roughs and then develop detailed roughs for each.

Test Illustration Part 2

To follow on from my previous post about my test illustration for the Folio Society, below you can see my first attempt at the finished colour version, executed in watercolour.

All the criteria was met with the above illustration but I felt it wasn't good enough. The sea wasn't particularly well painted and the Merman was flat along with the submerged sharks. I was trying to pull back on detail so I put this failure down to my lack of skill working loosely with watercolour.

After some time of pondering my finished illustration I decided to do another version that was more in my comfort zone. I deliberately concentrated on the shape and form of the Merman and sharks which led to my decision to simplify the sky. I also stylised the sea so that underwater details were easy to see and hopefully didn't complicate the image.

I was much happier with my second version and so was the Folio Society but in the end I still didn't get the seal of approval. Being an illustrator you get used to rejection, it may be depressing on the day you hear but by the next day you have to move on and learn from your mistakes and above all improve.

Test Illustration

Last month I worked on a test illustration for the Folio Society. Although my test wasn't successful and the job was given to a different illustrator afterwards, I would still like to show you what I did.

Without giving too much away I was asked to illustrate a scene in colour taken from a short fairytale which was provided by the Folio Society. The scene I picked was full of characters and very complicated. What can I say, I was probably trying to show off! Below you can see my detailed rough.

There were are at least another three different versions of this composition drawn before I reached the one above. I was struggling to fit all the relevant information in to what would be a small illustration so not surprisingly the art director suggested an alternative scene. Maybe in the future I'll paint this one for my own amusement, I actually think the colour will save it.

Above is the much simpler scene I decided to tackle instead. The main figure (Merman) is prominent and the direction of the narrative is obviously between him and the maiden in the tower. We both agreed to go ahead and paint this idea instead.

Stay tuned for the colour version(s)...