Retreat From The Windmills

Here is another painting I finished last month and a bit of the process behind it.

I started off with a few thumbnails that I eventually worked up into a more rounded rough (see previous post). Then I did the usual sizing up and transferring onto stretched watercolour paper but this time I only did a slight underpainting on the background, leaving the characters of Don Quixote and Sancho Panza in white. The main reasoning was to let the local colours of the figures be a bit more punchy, I didn't want a sepia underpainting to mute them.

I started with the sky first but quickly realised I was never going to to get a smooth finish in watercolour. I generally try to stay away from masking things because you tend to get some nasty hard edges and tide marks that can be really difficult to lift out with the brush after the masking fluid is taken away. I decided to move onto the rest of the painting and then come back to the sky at the end with some gouache.

Above you can see the majority of the watercolour work finished. Note the painting is sharing a the stretched watercolour paper with another painting but don't worry I've protected that one with acetate (top tip!).

On to the gouache sky:

Hmmmm, not great. I was going for a flat graphic look but the challenge I had set myself was to make the background the lightest tone, the sky the mid tone and the characters the darkest tone. However because the background is not actually that light I had to compensate by darkening the blue sky more than I would have liked which then challenged the darker characters for supremacy. It was an epic battle and it wasn't resolved until my client said 'lighten up'. So I did, I lightened the sky on the horizon with white gouache.

Retreat From The Windmills

Watercolour / Gouache

24 x 31cm

It was really hard to go back into a dried flat sky, rework the bottom half and keep an even transition with the top half. Next time I'm putting clouds in.

King Louie

King Louie

24 x 31cm

Watercolour / Gouache

I put the final touches to my private commission 'King Louie' on Friday at the opening of the Guildhall Arts Centre in Bristol. I was one of the artists demonstrating their craft in the gallery spaces as visitors manoeuvred around us. Unfortunately the scan above was done just before I took the painting Bristol so their are a few things missing which can be seen in the original (which is not in my possession). The original has a slightly more detailed tapestry and the contrasts in the kings skirt (if that's what it's called) are heightened.

As usual with this type of piece I produced a sepia under-painting and then began glazing colours but maintaining the details underneath. As a finishing touch I added gouache on the smoke from the brazier and the odd highlight on the fur, throne, hats and silver egg.

Progress, progress, progress.

 Two more days left to finish, I'll go into more detail about the process once it's completed.

Louie The Lion

Here's the next painting I have planned which needs to be finished in two weeks. I hope to make a start tomorrow.