My drawing was approved so it was time to start work on the painting.
The process to get the finished drawing on to stretched watercolour paper can be a bit tedious but it has to be done. Firstly I enlarge the scanned rough drawing in Photoshop and then I print the image on A3 layout paper. The layout is just thick enough to go through my printer and thin enough to act like tracing paper. This enables me to trace on the reverse of the printed image, with a soft pencil and then place it on the watercolour paper and transfer using a bone folder. Some people like to use biro pens for transferring because it's more accurate, however rubbing with a bone folder is very quick.
I remove the print and find the soft pencil has transferred enough to give me a ghost image on the stretched paper. I then go into the drawing with a 3H pencil and very carefully outline everything I need and tidy up any areas that are not legible. By using a hard pencil, I'm able to erase the softer lead and wash watercolour over the top, all without losing the important line work. If I were planning to keep an area very light I might not use a pencil at all, just because the pencil line might show and distract from the overall image.
Once the line work is completed I start an under-painting in sepia watercolour (see below)
|The finished under-painting. If you look carefully you can see lots of the original line drawing, especially around the lanterns hanging from the oak tree.|
|Colour decisions being made - there's no going back!!|
|Working mainly on the background.|