Now for the second instalment of 'showing you how I created the book cover artwork for
Paisley Rabbit And The Treehouse Contest.' You can see the first part of this post
here.
I left you poised to start laying in the basic colours for Paisley Rabbit and the flycatcher birds. Below you can see that stage completed. I tend to take these photos at the end of a day's painting, not stage-by-stage, so in this shot you can also see I have started to define the creeping ivy.
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| White spaces filled in and looking vaguely like animals. |
The following day I removed all the masking fluid, leaving some very pale speckling across the bark. I decided to do that now so I could keep on adding paint to the branches, and gradually soften and darken those areas that had previously been protected by masking fluid. Sometimes I take away the mask too early and there is not much difference in tone between the applications of watercolour. Then other times, I remove the mask too late and it looks like somebody has sneezed all over the painting!
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| Mask off - may the true painting identify itself. |
By this stage I was in the usual tonal/contrast dilemma that all my paintings go through. I wanted to make sure the top canopy was suitably dark enough to make centre strong in contrast. The left side of Paisley is lit, placing the other side of the ivy and branch in relative darkness. I really wanted to push that 3D contrast by matching it to the dark tones in the canopy.
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| Sloshing lots of paint with a big brush. |
I was really piling on the paint, keeping things loose with the hope I could define the leaves at a later time.
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| Leaves become more defined. |
Above you can see how I managed to outline individual leaves, by scrubbing back paint and creating contrasting hard edges where I could, particularly in the ivy. By now I was beginning to think this painting would never end.
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| Darker branches to create a separation between foreground and background |
Finally I'm towards the end of the watercolour (and my wits) here. I was concerned the image would be a full frontal assault of green, with very little breathing space. How could I solve that problem? By adding more green of course! The logic was to darken the main branch of the tree, in the hope of pushing back the leaves in the background. I think it worked. You can see the finished painting below and really get an understanding of how much darker the canopy and main branch have become.
You can also spot all the little bits of pastel cerulean blue gouache and yellow ochre I used to further define the leaves and create a little bit of cool reflected light in the shaded areas.
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Paisley Rabbit Book Cover
Watercolour and Gouache
42 x 55cm |
Now the painting is finished, the next step is to decide on a suitable layout for the text. Once that is completed I will of course dutifully post the fruits of my labour on this 'ere blog. Until that time, take care and don't decide to paint an overly-complicated series of branches and leaves, unless you wish to loose your sanity!
