Tuesday, 12 October 2010
Further development on 'Ainulindale'
For the moment I've had to put this on the back burner but that doesn't stop me from blogging about it. Above you can see my final drawing for 'Ainulindale' (see previous post) which gives me more information to work with when I pull out my brushes. I have however decided to leave out the singing heads until the background is painted, then I can overlay them which will hopefully add to their transparency.
The top image is a few hours in advance from the final drawing. Here I have added burnt sienna and ultramarine acrylic to give me an under-painting that has warm and cool areas.
After the paint dried I diluted a marvin acrylic medium into a milky consistency and began priming paper with a soft hake brush, sanding in-between four coats just to be on the safe side. When everything dried completely I ran some magic tape around the edges to keep them clean.
Recently I have actually been trawling the internet for information on mounting and priming paper for oils. There are useful tips and videos out there but so far I haven't found anything on stretching paper with gum tape and then priming it - the advantage being the finished oil would just be on a sheet of watercolour paper without any heavy board attached. That means they are easy to store and very lightweight even with a frame because you don't need the glass! It would be strange to think nobody else has tried this before but who knows maybe I've just invented a new priming technique although I seriously doubt it.