Retreat From The Windmills

Here is another painting I finished last month and a bit of the process behind it.

I started off with a few thumbnails that I eventually worked up into a more rounded rough (see previous post). Then I did the usual sizing up and transferring onto stretched watercolour paper but this time I only did a slight underpainting on the background, leaving the characters of Don Quixote and Sancho Panza in white. The main reasoning was to let the local colours of the figures be a bit more punchy, I didn't want a sepia underpainting to mute them.

I started with the sky first but quickly realised I was never going to to get a smooth finish in watercolour. I generally try to stay away from masking things because you tend to get some nasty hard edges and tide marks that can be really difficult to lift out with the brush after the masking fluid is taken away. I decided to move onto the rest of the painting and then come back to the sky at the end with some gouache.

Above you can see the majority of the watercolour work finished. Note the painting is sharing a the stretched watercolour paper with another painting but don't worry I've protected that one with acetate (top tip!).

On to the gouache sky:

Hmmmm, not great. I was going for a flat graphic look but the challenge I had set myself was to make the background the lightest tone, the sky the mid tone and the characters the darkest tone. However because the background is not actually that light I had to compensate by darkening the blue sky more than I would have liked which then challenged the darker characters for supremacy. It was an epic battle and it wasn't resolved until my client said 'lighten up'. So I did, I lightened the sky on the horizon with white gouache.

Retreat From The Windmills

Watercolour / Gouache

24 x 31cm

It was really hard to go back into a dried flat sky, rework the bottom half and keep an even transition with the top half. Next time I'm putting clouds in.

'Bedtime Story' Finished

Bedtime Story

Watercolour & Gouache

24 x 31cm

A few weeks back I finished 'Bedtime Story', I'm sorry it has taken me so long to post the final image. This scene is the type of thing I will hopefully be experiencing with my son very soon and therefore this painting is already dear to my heart. Having said that hopefully his bedroom won't have tree roots built into the walls.

As a quick aside, the lamp is real and it's on a sideboard illuminating my keyboard as I type this post. I've been meaning to get it into a painting since we bought it 3 years ago.

To see this painting in progress click here.

To see the original sketch click here.

Public Finance Magazine Cover

A blast from the not so distant past. I was given the a brief to create the phrase 'In The Pipeline' (the question mark was added later on) using about 5 stock images of pipes. Below you can see the trials and tribulations I went through trying to get the words to be legible and still all join together realistically.

The first attempt, took a lot longer than I expected and I hadn't accounted for perspective when I said yes to the deadline, even a single pipe with a different viewpoint to all the others would stand out and ruin the overall effect. I had to do endless amounts of cloning and jiggery pokery in Photoshop, the screw caps and joins were a godsend for hiding an perspective or pipe-join issues

Above you can see the second version which now has corrosion on the copper pipes and they have also been darkened in the hope of bringing the PVC pipes forward. It worked to an extent but the art director wanted another solution so...

...the copper pipes were removed and the white PVC was sprayed bright yellow. I also painted in a few cracks and leaks and changed the question mark period to a plughole.

Visit coverjunkie to see the final illustration on the cover.

This may not be my usual style but I enjoy trying something new especially when it's successful.

Illustration for The Times

Lots of fun to work in Adobe Illustrator for a change and very quick turnaround. Thanks to Denise Kelly for the job.

Bedtime Story - Work In Progress

A quick shot of what I'm working on at the moment. I'm keeping the sepia under-painting light so as not to overpower the shadows as I feel this subject matter should be treated with a lighter touch than normal.

Quick Getaway

I have only just realised I never posted this finished painting on the blog.

  Quick Getaway

Watercolour / Gouache

24 x 31cm

This painting was partly inspired by the moonlit paintings of Atkinson Grimshaw and with any good night-time scene you have to have the moon silhouetting the branches of a gnarled tree in winter - it's the law.

The pub which the sly fox is running away from is base on the Wagon & Horses at Beckhampton which is about 7miles from where I live. It has the most fantastic thatched roof and stonework, much better than anything I could have imagined.

This painting as ties in with 'The Card Game' which I recently finished. Thankfully the fox managed to escape the nasty looking stoats at the end of their game, however you can see the chase has only just begun.

Click here to see the initial sketch  

The Card Game (Over)

As promised here is the finished artwork of 'The Card Game'.

The Card Game

Watercolour / Gouache

24 x 31cm

Recently I've been trying to separate the foreground, middleground and background into three tonal values, light, mid-tone and dark. It's proved to be very useful, however when it comes to interior scenes the three stages can become very muddled. The background comes forward and pretty much takes over the middleground which leaves me with very difficult tonal decisions to make. I decided to place a soft spotlight on the card table so the light would highlight the figures seated facing the viewer also producing the highest contrast. This also means that the rat and stoat with their back to the viewer would be in shadow as the light would be hitting their fronts (which you cannot see). All that is left to play with is the mid-tone which I placed in on background vixen and badger, also notice that I reduced contrast not only on the characters at the back but also the barrels and spirits on the shelf above, not only to fit in with the 3 tone scheme but also to suggest a smoky haze in the air which would nullify extreme darks and lights.

In summary I now have dark on light on mid-tone. I'm sure if I were able to set this scene up and photograph in reality the shadows and tonal range would be completely different but that's where artistic licence comes in to save the day.

The overall intention of 'The Card Game' was to produce an image that at first glance appeared whimsical and pleasant. It wasn't until the viewer took their time to study the scene that they could see the game of cards is about to turn very sour indeed.

The Card Game Progression 2

Started glazing local colour and bringing out the values a bit more now but it's still in the ugly stage. Hopefully by the end of tomorrow I will be over the top of the hill and beginning my descent into the finished artwork valley.

The Card Game Progress

I've been working on a sepia under-painting today. This one will have lots of warm yellows, oranges and browns in it so sepia should emerge through the glazes of watercolour very nicely indeed.

Social Me(dia)

 

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