Times Watercolour Competition. There is a bit of symbolism involved, can you spot it?
I have also done a small value study which I will post after the fixative has done its job.
*View the finished painting here*
Wednesday, 27 April 2011
Tuesday, 26 April 2011
Tuesday, 12 April 2011
Well I came back from York to find that the studio elves must have gone on a short holiday too. The painting was in the same state as I left it but at least there were no cat prints on it! I got the paints out and got stuck in until I finished this morning.
There are aspects that have turned out better than expected in 'Jacques' Rest'. For instance depth of colour I achieved in the bottles using gouache to an opaque consistency and the overall colour harmony by using just yellow ochre, ultramarine, cadmium red pale hue and sepia. Unfortunately the jpeg sample looks a bit washed out in comparison to the original so my favourite parts have been diminished - typical (roll eyes).
On the other hand I could completely take my artwork apart in a critique, so to keep it short I've learned more about applying gouache over watercolour and I'll be on the lookout for problems in my detailed drawing before starting on the colour.
I don't want to sound negative because I actually like it - for now ;-)
Wednesday, 6 April 2011
Today I was hoping to find a smidgen of time to work on this but it was not to be. Above you can see how far I got with the gouache by the end of Tuesday. Unfortunately I won't be able to sit back at my desk until Monday so I'm hoping my friendly artist elf's will complete it for me while I'm away.
Tuesday, 5 April 2011
Further progress has been made on my Redwall painting, some to my satisfaction and some maybe not so. The top photo shows the first layer of watercolour which establishes the colours for most of the items surrounding Brian (the mouse).
The image above (yesterdays effort) is firmly in the ugly stage which at the moment I am struggling to break out of. The second and third layers of watercolour have gone down and I have started to dabble with gouache on the writing desk. Note I have left the bookshelf in the first stage of watercolour, this is mainly because I am undecided as to how deeply the chair shadow will interact with the books behind. I have plowed ahead with the other elements to create a point of value reference. I think its much easier to split a painting like this into sections and work on each bit until its nearly finished. That way you can take a complicated image one step at a time, however when it comes to vast open landscapes I tend to slap the paint about and hope for the best!
At the end of yesterdays work I was in a bit of a grump. Nothing seemed to be working very well and I had spotted lots of problems in the drawing like the eyes for example. However all was not lost because that evening I had a lovely curry in my belly and we had a friend over to see us after gallivanting around New Zealand, Australia and China :-)